Traduzione e analisi delle parole tramite l'intelligenza artificiale ChatGPT
In questa pagina puoi ottenere un'analisi dettagliata di una parola o frase, prodotta utilizzando la migliore tecnologia di intelligenza artificiale fino ad oggi:
- come viene usata la parola
- frequenza di utilizzo
- è usato più spesso nel discorso orale o scritto
- opzioni di traduzione delle parole
- esempi di utilizzo (varie frasi con traduzione)
- etimologia
vor der Tür - traduzione in Inglese
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![''The Adoration of the Kings'' ([[Monforte Altarpiece]])](https://commons.wikimedia.org/wiki/Special:FilePath/Hugo van der Goes (Gand, 1440 circa – Auderghem, 1482) Altare Monforte - Adorazione dei Magi (1470 circa) - Tecnica olio su tavola Dimensioni 147×242 cm - Gemäldegalerie, Berlin.jpg?width=200 "''The Adoration of the Kings'' ([[Monforte Altarpiece]])")
 - WGA9706.jpg?width=200 "Shepherds from the Portinari Triptych")
 - Google Art Project.jpg?width=200 "280px")
![Adoration of the Shepherds]]''](https://commons.wikimedia.org/wiki/Special:FilePath/Hugo van der Goes - The Adoration of the Shepherds - Google Art Project.jpg?width=200 "Adoration of the Shepherds]]''")
![Portinari Triptych]]](https://commons.wikimedia.org/wiki/Special:FilePath/Hugo van der Goes 004.jpg?width=200 "Portinari Triptych]]")
Wikipedia
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The Man Outside (German: Draußen vor der Tür, literally Outside, at the door) is a play by Wolfgang Borchert, written in a few days in the late autumn of 1946. It made its debut on German radio on 13 February 1947.
The Man Outside describes the hopelessness of a post-war soldier called Beckmann who returns from Russia to find that he has lost his wife and his home, as well as his illusions and beliefs. He finds every door he comes to closed; even nature seems to reject him.
Due to its release during the sensitive immediate postwar period, Borchert subtitled his play "A play that no theatre wants to perform and no audience wants to see." Despite this, the first radio broadcast (February 1947) was very successful. The first theatrical production of The Man Outside (at the Hamburger Kammerspiele) opened on the day after Borchert's death, 21 November 1947.
The play consists of five scenes in one act. It makes use of expressionist forms and Brechtian techniques, such as the Verfremdungseffekt (estrangement effect) to disorient and engage its audience.
